Obviously I won’t be too hard on the lyrics unless they’re really really really stupid or offensive or something like that. Young Dolph is probably my favorite Trap artist, but Waka’s decent too I guess. I can only take it in small portions tho. I don’t really love Trap music, but I think some of it’s entertaining. I’m kinda late to this one, and I honestly wasn’t even gonna check it out even though it got requested, but it somehow found it’s way onto my schedule, so I guess I’ll give it a shot. He should’ve made his State of the Union in the form of a song. He should’ve named his album after something that has to do with being a president. They also loved him for being a stereotypical representation of the modern black man who they made a clown of, but that’s not the point. The white boys at my school loved him for that shit. He should’ve capitalized on that when he had the chance. Not that anybody with a brain was taking it seriously, but they still liked it. Everybody was paying attention to that shit. If you ask me, that shit where he said he was running for president was the best possible promotion he could’ve got. I guess it was released in promotion of Waka’s upcoming third studio album.
Best waka flocka mixtape windows#
With that said, the best way to enjoy this project is to get a few friends, jump in the car with the windows down and blare this as loud as possible down fraternity row.Flockaveli 1.5 was released on November 25th in 2015. The song details Flocka’s personal issues – his aunt’s affliction with the HIV virus, Dunkin’s struggling with cocaine use in his final days – which have ultimately resulted in his partaking in illegal substances, excessive alcohol intake and self-destructive behavior.įollowing up his stellar summer release, June’s “Triple F Life: Family, Friend, and Fans,” Flocka shows why he lives up to his self-declared title as the “Mixtape Prince,” as professed on 2010’s “For My Dawgs,” with “Salute Me Or Shoot Me 4.” Dunkin was shot and killed at an Atlanta recording studio this past December, almost causing Flocka to quit rap out of grief. The mixtape’s closer, “Realist Sh-t I Wrote” is an account of Flocka’s upbringing with his – now deceased – best friend and fellow Bricksquad member, Slim Dunkin. The next 11 tracks provide similar content, with standout tracks “Zip ’em Up” and “Murda,” featuring affiliate Bo Deal and Chicago up-and-comer Chief Keef. And if anyone has any clue what the hook “I’m ballin’ like I’m J Well” means, please help with an explanation, because I am still searching for an answer. F–k jail, I’m shooting back, It ain’t hard to tell. With the song “J Well,” Flocka provides some of the albums most ridiculously violent and street-tinged lyrics – I’m from Riverdale, This the land of the lost. The song “Death of Me” provides one of the most memorable “I’ve got love for my clique” anthems of 2012, coming in a close second behind Kanye West’s aptly titled “Clique.”
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Seemingly the albums only misstep, “50K” is followed by 13 consecutive hard-hitting tracks that could easily double as the soundtrack to the second LA Riots. The mixtape kicks off with a less than memorable, assumed to be street anthem”50k.” Lacking direction and backed by a hollow instrumental, “50K” sounds like a half-assed attempt to recreate the frequent collaborator, producer Lex Luger, created on Flocka’s stellar 2010 debut album “Flockaveli.”
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The first half of “Salute Me” is a straight-forward detail of Flocka’s pre-rap life of drug dealing and murderous endeavors, however he hits a philosophical stride on the second half of the project. Hosted by DJ Holiday and longtime collaborator Trapaholics, the album features exclusive production from Bricksquad 1017’s, Waka Flocka’s record company, which he is CEO of, 808 Mafia. did nothing less than contradict his previous statements on his most recent project, the fourth installment in his “Salute Me Or Shoot Me” mixtape series, “Salute Me Or Shoot Me 4 (Banned In America).” Waka Flocka Flame is one of the ridiculous figures of the popular music scene and along the way has boosted the Atlanta “Trap music” scene to mainstream and critical legitimacy.Ī self-professed bad rapper, The Riverdale, Ga.
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Editor’s Note: The following reflects the opinions of the author.